Yumi

Yumi
by FelCandy
Abilities	Yoki-hijo, Cognitive Shadow
Aliases	Chosen, Honored One, Girl of commanding primal spirits
Profession	Yoki-hijo
Nationality	Torish
Homeworld	Komashi
Universe	Cosmere

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Yumi is a yoki-hijo from Torio who escaped from her prison and freed the hijo from the father machine.

Appearance and Personality

She has the appearance of a nineteen year old young woman, with light skin and dark hair which comes down to her waist.

She is fully devoted to her job and what is expected of her, accepting everything without question. This faith ultimately left her utterly distraught upon learning that it was merely traditionalism, instead of the explicit will of the hijo.

She is rather prudish with the display of her skin and form, preferring to dress in clothing that hid her form and covered any skin. Her strictness with this began to relax as she allowed herself to express herself more.

She is potentially bisexual, consistently describing how attractive Akane is, and even gasped in awe when first meeting her, likening her to a goddess. She also shows a focus on her figure and on that of Design. However, this is not explicitly confirmed.

Attributes and Abilities

As a yoki-hijo, she has the ability to summon forth hijo through a process of ritualistic stone stacking, and upon summoning them she can have them take on the shape of various tools to help the denizens of Torio.

Her experience in the stacking ritual is immense, with the practice from every day over nearly two-thousand years crossing over, despite her loss of memory.

History

She was born under a falling star, which was seen as an omen of her powers as a yoki-hijo and thus she was taken from her parents and raised as one her whole life, and eventually became renowned for her abilities. This, however, was until the father machine was activated in an attempt to replace the position, as it was perceived as more efficient. The activation was a disaster however, and nearly everyone on the planet had their souls consumed by the machine, with her being one of the only survivors.

The machine, threatened by her, decided to hide her away in a simulation of her former life, hidden away in the shroud, in order to keep her complacent. At the end of every day, she would have her memory of the day erased, so that she would live through it again. This happened for one-thousand seven-hundred and sixty-three years, until one day her ritual reached its apex, summoning thirty-seven hijo at once, and managed to pull one spirit from the grasp of the machine.

This spirit begged her to save them, but did little else until it followed Liyun, as a nightmare, into Kilahito, where it found Painter and Connected them, in an attempt to protect her from having her memories erased. This worked, but had the unintended consequence of making them switch bodies, with Painter waking up in her body, and her waking up without a physical form. This was not an intentional side-effect, but simply a consequence of messing with Connection.

Upon her soul going into Painter's body, her high levels of Investiture caused the body to quickly morph to match her Cognitive Aspect, causing it to match her own body. She was not aware of this at first, believing it was an instance similar to Painter in her body, wherein they simply saw themselves as themselves, while everyone who saw them saw the other. This was proven wrong when she answered the door to Foreman Sukishi, and he reacted with shock seeing a woman in Painter's room. Under Painter's direction, she informed him that he was sick, and of the stable nightmare he found before his first switch.

Shortly after the foreman left, Akane left her room and she was taken in by her beauty. Shortly after seeing her, Akane saw her and asked if she was a friend of Painter. She lied, via the urging of Painter, that she was his sister, which Akane instantly bought. Their conversation began cordially until she misunderstood her relationship to Painter, assuming her one of his concubines, a misunderstanding she quickly corrected. This correction led her to question what Painter has been telling her, causing her to confront him on if he was telling lies. His confirmation of her suspicions caused her to have a panic attack.

Notes

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