Acknowledgements

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Acknowledgements and dedications in Brandon's books.

Alcatraz

Elantris

Dedication

Dedicated to my mother,

    Who wanted a doctor,
            Ended up with a writer,
    But loved him enough not to complain
            (Very much).

Acknowledgements

First and foremost, I would like to thank my agent, Joshua Bilmes, and my editor, Moshe Feder, for helping me squeeze the fullest potential out of this manuscript. Without their masterful editorial vision, you'd be holding a very different book right now.

Next, high praise and thanks must be offered to the members of my various writing groups. Alan Layton, Janette Layton, Kaylynn ZoBell, and Ethan Skarstedt. Daniel Wells, Benjamin R. Olsen, Nathan Goodrich, and Peter Ahlstrom. Ryan Dreher, Micah Demoux, Annie Gorringe, and Tom Conrad. (You guys were a writing group, even if you didn’t know it!) Thank you all so much for your work and suggestions.

In addition, there are dozens of people who read this book and others during my years struggling to get published, and I am inexpressibly grateful for their enthusiasm, criticism, and praise. Kristina Kugler, Megan Kauffman, Izzy Whiting, Eric Ehlers, Greg Creer, Ethan Sproat, Robert ZoBell, Deborah Anderson, Laura Bellamy, Mr. M, Kraig Hausmann, Nate Hatfield, Steve Frandson, Robison E. Wells, and Krista Olsen. If I forgot anyone, I'll get you in the next book!

I'd also like to give special thanks to those teachers who have helped me in my university career. Professors Sally Taylor, Dennis Perry, and John Bennion (who worked on my master's thesis committee). Professor Jacqueline Thursby for her faith in me. Dave Wolverton, who sent me out into the world, and Professor Douglas Thayer, whom I'll someday convince to read a fantasy book. (He's getting a copy of this one, whether he wants it or not!)

Finally, I'd like to thank my family. My father for buying me books when I was a kid, my mother for turning me into a scholar, my sisters for their smiles, and Jordan for putting up with a domineering older brother. You can check out his programming skills—along with Jeff Creer's amazing artistic design—on my Web site, www.brandonsanderson.com.

Thank you so much, everyone, for believing in me.

People

• Alan Layton
• Annie Gorringe
• Benjamin R. Olsen
• Daniel Wells
• Dave Wolverton
• Deborah Anderson
• Dennis Perry
• Douglas Thayer
• Ethan Skarstedt
• Eric Ehlers
• Ethan Sproat
• Greg Creer
• Izzy Whiting
• Jacqueline Thursby
• Janette Layton
• John Bennion
• Joshua Bilmes
• Kaylynn ZoBell
• Kraig Hausmann
• Krista Olsen
• Kristina Kugler
• Laura Bellamy
• Megan Kauffman
• Micah Demoux
• Mr. M
• Moshe Feder
• Nate Hatfield
• Nathan Goodrich
• Peter Ahlstrom
• Robert ZoBell
• Robison E. Wells
• Ryan Dreher
• Sally Taylor
• Steve Frandson
• Tom Conrad

The Emperor's Soul

Dedication

For Lucie Tuan and Sherry Wang,
who provided inspiration.

Acknowledgements

A book like this goes out with one name on the cover, yet artwork is not created in a vacuum. What I create can only exist because of the numerous shoulders I rely upon.

I've mentioned elsewhere that this book came to be because of a trip I took to Taiwan. Many thanks go to Lucie Tuan and Sherry Wang, to whom the book is dedicated, for showing me around the city. Also, I'd like to thank Evanna Hsu and everyone else at Fantasy Foundation for making that trip such a powerful experience. Many thanks to Gray Tan (my Taiwan agent) who facilitated the trip, and to my U.S. agent Joshua Bilmes and everyone else at JABberwocky.

Jacob Weisman and Jill Roberts at Tachyon have been absolutely wonderful to work with, and I thank them for giving this work a home in print. Also, thank you to Marty Halpern for the copyedit and proofread. The great cover illustration comes from Alexander Nanitchkov, and I couldn't have asked for better. Isaac Stewart used that illustration for the ebook's cover design, and he also provided a great seal illustration. Thanks!

Mary Robinette Kowal is responsible for the current structure of the novella; she helped me realize my original prologue wasn't the best for the integrity of the work. Moshe Feder went above and beyond his job description (at a different publisher) to offer me fantastic line edits, without which this book would have been much the poorer. I also got important feedback from Brian Hill, Isaac Stewart, and Karen Ahlstrom.

As always, I give loving thanks to my family, particularly my wife Emily. In addition, special thanks go out to the interpolated Peter Ahlstrom, who worked long hours on this project. (Even so far as to nudge me to get this acknowledgments page written after I'd forgotten to do so about a dozen times.)

You have my deepest gratitude, all of you.

Brandon

Infinity Blade

Legion

Acknowledgements

As always, my wonderful wife Emily gets a big thumbs-up for dealing with the sometimes erratic life of a professional writer. The incumbent Peter Ahlstrom did quite a bit of special work on this project. Another person of note is Moshe Feder, who gave me one of my very early reads on this book—and who discussed thoughts, possibilities, and conjectures regarding it from its earliest days.

My agent, Joshua Bilmes, has been his usual awesome self. Other early readers include Brian T. Hill, Dominique Nolan, Kaylynn ZoBell, Ben Olsen, Danielle Olsen, Karen Ahlstrom, Dan Wells, Alan Layton, and Ethan Skarstedt.

A special thanks to Subterranean Press for giving this work a place in print. Bill Schafer and Yanni Kuznia have been fantastic. I'm also very pleased that the print edition has another beautiful cover by Jon Foster, whose work also graced the original Mistborn hardcovers. The ebook features a cover design by Isaac Stewart. Thanks!

Mistborn

The Alloy of Law

Dedication

FOR JOSHUA BILMES
Who is never afraid to tell me what is wrong with a book, then fight for that same book no matter who else gives up on it.

Acknowledgements

I first pitched the idea of later-era Mistborn novels to my editor back in 2006, I believe. It had long been my plan for Scadrial, the planet these books take place upon. I wanted to move away from the idea of fantasy worlds as static places, where millennia would pass and technology would never change. The plan then was for a second epic trilogy set in an urban era, and a third trilogy set in a futuristic era—with Allomancy, Feruchemy, and Hemalurgy being the common threads that tied them together.

This book isn't part of that second trilogy. It's a side deviation, something exciting that grew quite unexpectedly out of my planning for where the world would go. The point of telling you all of this, however, is to explain that it would be impossible to list all of the people who have helped me along the years. Instead, the best I can do is list some of the wonderful people who helped me with this specific book.

Alpha readers included, as always, my agent, Joshua Bilmes, and my editor, Moshe Feder. This book is dedicated to Joshua, actually. Professionally, he's believed in my work longer than anyone outside my writing group. He has been a wonderful resource and a good friend.

Other alphas were my writing group: Ethan Skarstedt, Dan Wells, Alan & Jeanette Layton, Kaylynn ZoBell, Karen Ahlstrom, Ben & Danielle Olsen, Jordan Sanderson (kind of), and Kathleen Dorsey. Finally, of course, there's the Inseparable Peter Ahlstrom, my assistant and friend, who does all kinds of important things for my writing and doesn't get nearly enough thanks for it.

At Tor Books, thanks go to Irene Gallo, Justin Golenbock, Terry McGarry, and many others I couldn't possibly name—everyone from Tom Doherty to the sales force. Thank you all for your excellent work. Once again, I feel the need to give a special thanks to Paul Stevens, who goes above and beyond what I could reasonably expect to give aid and explanations.

Beta readers included Jeff Creer and Dominique Nolan. A special thanks to Dom for being a resource in regards to weaponry and guns. If you ever need anything shot properly, he’s the one to call.

Note the lovely cover by Chris McGrath, whom I asked for specifically because of his work on the Mistborn paperback covers. Both Ben McSweeney and Isaac Stewart returned to provide interior art for this book, as their work on The Way of Kings was just plain awesome. They've continued in their awesomeness. Ben also provided equally awesome illustrations for the recently released Mistborn RPG from Crafty Games. Check it out at if you're interested in Kelsier’s origin story.

Last of all I’d like to once again thank Emily, my wonderful wife, for her support, commentary, and love.

The Reckoners

The Stormlight Archives

Words of Radiance

Dedication

As you might imagine, producing a book in the Stormlight Archive is a major undertaking. It involved almost eighteen months of writing, from outline to final revision, and includes the artwork of four different individuals and the editorial eyes of a whole host of people, not to mention the teams at Tor who do production, publicity, marketing, and everything else a major book needs in order to be successful.

Acknowledgement

As you might imagine, producing a book in the Stormlight Archive is a major undertaking. It involved almost eighteen months of writing, from outline to final revision, and includes the artwork of four different individuals and the editorial eyes of a whole host of people, not to mention the teams at Tor who do production, publicity, marketing, and everything else a major book needs in order to be successful.

For some two decades now, the Stormlight Archive has been my dream—the story I always wished I could tell. The people you’ll read about below quite literally make my dreams a reality, and there aren’t words to express my gratitude for their efforts. First in line on this novel needs to be my assistant and primary continuity editor, the incumbent Peter Ahlstrom. He worked very long hours on this book, putting up with my repeated insistence that things which did not fit continuity actually did—eventually persuading me I was wrong far more often than not.

As always, Moshe Feder—the man who discovered me as a writer—did excellent editorial work on the book. Joshua Bilmes, my agent, worked hard on the book in both an agenting and editorial capacity. He’s joined by Eddie Schneider, Brady “Words of Bradiance” McReynolds, Krystyna Lopez, Sam Morgan, and Christa Atkinson at the agency. At Tor, Tom Doherty put up with me delivering a book even longer than the last one when I promised to make it shorter. Terry McGarry did the copyediting, Irene Gallo is responsible for the art direction for the cover, Greg Collins for interior design, Brian Lipofsky’s team at Westchester Publishing Services for compositing, Meryl Gross and Karl Gold for production, Patty Garcia and her team for publicity. Paul Stevens acted as superman whenever we needed him. A big thanks to all of you.

You may have noticed that this volume, like the one before it, includes amazing art. My vision for the Stormlight Archive has always been of a series that transcended common artistic expectations for a book of its nature. As such, it is an honor to once again have my favorite artist, Michael Whelan, involved in the project. I feel that his cover has captured Kaladin perfectly, and I am extremely grateful for the extra time he spent on the cover—at his own insistence—going through three drafts before he was satisfied. To have endpapers of Shallan as well is more than I had hoped to see for the book, and I'm humbled by how well this whole package came together.

When I pitched the Stormlight Archive, I spoke of having “guest star” artists do pieces for the books here and there. We have our first of those in this novel, for which Dan dos Santos (another of my personal favorite artists, and the man who did the cover for Warbreaker) agreed to do some interior illustrations.

Ben McSweeney graciously returned to do more brilliant sketchbook pages for us, and he is a pure delight to work with. Quick to recognize what I want, sometimes even when I'm not quite sure what I want, I've rarely met a person who mixes talent and professionalism in the way Ben does. You can find more of his art at InkThinker.net.

A long time ago, almost ten years now, I met a man named Isaác Stewart who—in addition to being an aspiring writer—was an excellent artist, particularly when it came to things like maps and symbols. I started collaborating with him on books (starting with Mistborn) and he eventually set me up on a blind date with a woman named Emily Bushman—whom I subsequently married. So needless to say, I owe Isaac a few big favors. With each progressive book he works on, that debt on my part grows greater as I see the amazing work he has done. This year, we decided to make his involvement a little more official as I hired him full-time to be an in-house artist and to help me with administrative tasks. So if you see him, welcome him to the team. (And tell him to keep working on his own books, which are quite good.)

Also joining us at Dragonsteel Entertainment is Kara Stewart, Isaac's wife, as our shipping manager. (I actually tried to hire Kara first—and Isaac piped up noting that some of the things I wanted to hire her for, he could do. And it ended up that I got both of them, in a very convenient deal.) She's the one you'll interact with if you order T-shirts, posters, or the like through my website. And she's awesome.

We used a few expert consultants on this book, including Matt Bushman for his songwriting and poetry expertise. Ellen Asher gave some great direction on the scenes with horses, and Karen Ahlstrom was an additional poetry and song consultant. Mi'chelle Walker acted as Alethi handwriting consultant. Finally, Elise Warren gave us some very nice notes relating to the psychology of a key character. Thank you all for lending me your brains.

This book had an extensive beta read done under some strict time constraints, and so a hearty bridgeman salute goes to those who participated. They are: Jason Denzel, Mi'chelle Walker, Josh Walker, Eric Lake, David Behrens, Joel Phillips, Jory Phillips, Kristina Kugler, Lyndsey Luther, Kim Garrett, Layne Garrett, Brian Delambre, Brian T. Hill, Alice Arneson, Bob Kluttz, and Nathan Goodrich.

Proofreaders at Tor include Ed Chapman, Brian Connolly, and Norma Hoffman. Community proofreaders include Adam Wilson, Aubree and Bao Pham, Blue Cole, Chris King, Chris Kluwe, Emily Grange, Gary Singer, Jakob Remick, Jared Gerlach, Kelly Neumann, Kendra Wilson, Kerry Morgan, Maren Menke, Matt Hatch, Patrick Mohr, Richard Fife, Rob Harper, Steve Godecke, Steve Karam, and Will Raboin.

My writing group managed to get through about half of the book, which is a lot, considering how long the novel is. They are an invaluable resource to me. Members are: Kaylynn ZoBell, Kathleen Dorsey Sanderson, Danielle Olsen, Ben-son-son-Ron, E. J. Patten, Alan Layton, and Karen Ahlstrom.

And finally, thanks to my loving (and rambunctious) family. Joel, Dallin, and little Oliver help keep me humble each day by always making me be the “bad guy” who gets beat up. My forgiving wife, Emily, put up with a lot this past year, as tours grew long, and I'm still not sure what I did to deserve her. Thank you all for making my world one of magic.

Warbreaker

Dedication

For Emily,
who said yes

Acknowledgements

Working on Warbreaker was an unusual process in some ways; you can read more about it on my website. Suffice it to say that I had a more varied pool of alpha readers than normally, many of whom I know primarily through their handles on my forums. I've tried to get everyone’s names in here, but I'm sure I'm going to miss some. If you are one of those individuals, feel free to email me, and we’ll try to get you in future printings.

The first acknowledgment goes to my lovely wife, Emily Sanderson, whom I married while writing this book. This is the first novel of mine that she had a large hand in by giving me feedback and suggestions, and her help is greatly appreciated. Also, as always, my agent, Joshua Bilmes, and my editor, Moshe Feder, did an extremely large amount of work on this manuscript, taking it from the Second or Third Heightening to at least the Eighth.

At Tor, several people have gone well beyond their call of duty. The first is Dot Lin, my publicist, who has been particularly awesome to work with. Thanks, Dot! And, as always, the tireless efforts of Larry Yoder deserve a note, as well as the excellent work of Tor's art director genius, Irene Gallo. Dan Dos Santos did the cover art of this book, and I strongly suggest you check out his website and his other work, because I think he’s one of the best in the business right now. Also, Paul Stevens deserves a word of thanks for being the in-house liaison for my books.

In the special thanks department, we have Joevans3, and Dreamking47, Louise Simard, Jeff Creer, Megan Kauffman, thelsdj, Megan Hutchins, Izzy Whiting, Janci Olds, Drew Olds, Karla Bennion, Eric James Stone, Dan Wells, Isaac Stewart, Ben Olsen, Greyhound, Demented Yam, D.Demille, Loryn, Kuntry Bumpken, Vadia, U-boat, Tjaeden, Dragon Fly, pterath, BarbaraJ, Shir Hasirim, Digitalbias, Spink Longfellow, amyface, Richard "Captain Goradel" Gordon, Swiggly, Dawn Cawley, Drerio, David B, Mi'chelle Trammel, Matthew R Carlin, Ollie Tabooger, John Palmer, Henrik Nyh, and the insoluble Peter Ahlstrom.

People

• Louise Simard
• Olie Tabooger
• Mi’chelle Trammel
• Richard “Captain Goradel” Gordon
• Drerio
• Spink Longfellow
• David B
• Megan Kauffman
• Megan Hutchins
• Matthew R Carlin
• Paul Stevens
• Louise Simard
• D.Demille
• Eric James Stone
• Karla Bennion
• Matthew R Carlin
• Spink Longfellow
• Vadia
• Dot Lin
• Kuntry Bumpken
• amyface
• Shir Hasirim
• Dawn Cawley
• Loryn
• Henrik Nyh
• Irene Gallo
• Larry Yoder
• thelsdj
• Janci Olds
• Tjaeden
• Ollie Tabooger
• Dan Dos Santos
• John Palmer
• Larry Yoder
• barbaraj

• Map by Shawn Boyles

The Wheel of Time